All evening I hunted
the bird that wanted
a cage of glass,
here where cemetery
slides into creek, fronting
what was once the largest
indoor leather mill in the world.
There the skins gathered
for cleansing, coloring,
scraping, shipping off.

It closed three years after
a lone sparrow set up camp
behind the only desk
in the only full-serve
service station left in town
where, from four to seven
nightly one summer,
I blackened the pages
of books with my thumbs.

Whatever it sought there—
thumping its frightened body
against glass, into cabinets
or out to the bays
scrubbed raw with gasoline
where the broken waited
to be raised up, hosed off,
fastened together in hope
of coughing to life again—
whatever it sought was not a dollar
slipped through a window cracked
because patronage was right
for the aging ladies of August to provide
from Chryslers cool in the sun.

There was nothing to be found
in books or boxes of parts.
And the tools hanging from pegs
were as useless as my hands,
which could not patch together
those straggling conveyances
any more than I could
with a tattered broom
batter the bird to freedom
as I swung at fluttering terror
as I sought with useless devices
some fortune reposed
in corners of grease and dust.

  • Source: Poetry (Poetry Foundation, 2002)

Poet Bio

What People are Saying

"I learned that I had the ability to capture the attention of an audience and evoke emotion from them. When I recited my first poem in 9th grade for a mock POL class competition, I was incredibly shy and barely audible. But eventually I grew to love sharing the emotions poems gave me."
Chiara Raimondo
2016 NY POL Champion