various sounds, consistently indistinct, like intermingled echoes
   struck from thin glasses successively at random—
       the inflection disguised: your hair, the tails of two
   fighting-cocks head to head in stone—
       like sculptured scimitars repeating the curve of your   
               ears in reverse order:   
                                                                        your eyes,
             flowers of ice and snow

sown by tearing winds on the cordage of disabled ships: your
       raised hand
an ambiguous signature: your cheeks, those rosettes
   of blood on the stone floors of French châteaux,
with regard to which the guides are so affirmative—
          your other hand

a bundle of lances all alike, partly hid by emeralds from Persia
    and the fractional magnificence of Florentine
       goldwork—a collection of little objects—
sapphires set with emeralds, and pearls with a moonstone, made fine
   with enamel in gray, yellow, and dragonfly blue;
      a lemon, a pear

and three bunches of grapes, tied with silver: your dress, a magnificent square
cathedral tower of uniform
   and at the same time diverse appearance—a
species of vertical vineyard, rustling in the storm
   of conventional opinion—are they weapons or scalpels?
       Whetted to brilliance

by the hard majesty of that sophistication which is superior to opportunity,
these things are rich instruments with which to experiment.
    But why dissect destiny with instruments
    more highly specialized than the components of destiny

  • Source: The Poems of Marianne Moore (Penguin Books, 2005)

Poet Bio

What People are Saying

"I was surprised that I was able to select poems that are so out of my usual spoken word preference. The Poetry Out Loud website has hundreds of poems that I have never seen before, and the fact that I found 3 and was able to make it so far with them is amazing to me. I guess I learned that stepping outside of the box is okay!"
Annabelle Emuze
2015 IL POL Champion