By Margaret Fuller
We deemed the secret lost, the spirit gone,
Which spake in Greek simplicity of thought,
And in the forms of gods and heroes wrought
Eternal beauty from the sculptured stone,—
A higher charm than modern culture won
With all the wealth of metaphysic lore,
Gifted to analyze, dissect, explore.
A many-colored light flows from one sun;
Art, ’neath its beams, a motley thread has spun;
The prism modifies the perfect day;
But thou hast known such mediums to shun,
And cast once more on life a pure, white ray.
Absorbed in the creations of thy mind,
Forgetting daily self, my truest self I find.
n/a
Source: American Poetry: The Nineteenth Century (1993)
Poet Bio
Sarah Margaret Fuller was one of the most prominent literary women of the nineteenth century, and is sometimes thought of as America’s first feminist. After a rigorous classical education in Cambridgeport, Massachusetts, she sought out Ralph Waldo Emerson. A brilliant conversationalist, Fuller applied many of Emerson’s Transcendental ideas to women in a series of open discussions. These conversations, which included some of the finest minds of the day, pioneered the idea that women could argue philosophy on par with men. She was sent to Rome as foreign correspondent for the New York Tribune, and there met Marchese Giovanni Ossoli, a lieutenant in the Italian Unification Movement, whom she married. After the revolt failed, she set off for America, but perished when her ship was wrecked off Fire Island.
More Poems about Arts & Sciences
Orchestral Maneuvers in the Dark
I play the egg
and I play the triangle
I play the reed
and I play each angle
I play the lyre
and I play the lute
I play the snare
and I play the flute
I play the licorice stick
and I play the juke
I play the kettle
and...
Rickshaw Boy
The man I pulled tonight
carried a load of books.
When I felt him watching
me uphill, I grimaced.
He gave me lunar
cakes the size
of two camel humps.
When I answered him,
I smiled to his face.
He wore the moonlight
in his specs. Pant
seams clean as the...
More Poems about Mythology & Folklore
Blade, Unplugged
It’s true: I almost never
smile, but that doesn’t mean
I’m not in love: my heart
is that black violin
played slowly. You know that
moment late in the solo
when the voice
is so pure you feel
the blood in it: the wound
between rage
and complete surrender. That’s
where...
Pinocchio
Strand. String.
In this dream,
the paths cross
and cross again.
They are spelling
a real boy
out of repetition.
•
Each one
is the one
real boy.
Each knows
he must be
wrong
about this, but
he can’t feel
how.
•
The fish
and the fisherman,
the pilot,
the princess,
the fireman and
the ones on fire.