By Lisel Mueller
This is not fantasy, this is our life.
We are the characters
who have invaded the moon,
who cannot stop their computers.
We are the gods who can unmake
the world in seven days.
Both hands are stopped at noon.
We are beginning to live forever,
in lightweight, aluminum bodies
with numbers stamped on our backs.
We dial our words like Muzak.
We hear each other through water.
The genre is dead. Invent something new.
Invent a man and a woman
naked in a garden,
invent a child that will save the world,
a man who carries his father
out of a burning city.
Invent a spool of thread
that leads a hero to safety,
invent an island on which he abandons
the woman who saved his life
with no loss of sleep over his betrayal.
Invent us as we were
before our bodies glittered
and we stopped bleeding:
invent a shepherd who kills a giant,
a girl who grows into a tree,
a woman who refuses to turn
her back on the past and is changed to salt,
a boy who steals his brother’s birthright
and becomes the head of a nation.
Invent real tears, hard love,
slow-spoken, ancient words,
difficult as a child’s
first steps across a room.
Lisel Mueller, “The End of Science Fiction” from Alive Together: New and Selected Poems. Copyright © 1996 by Lisel Mueller. Reprinted by permission of Louisiana State University Press.
Source: Alive Together: New and Selected Poems (Louisiana State University Press, 1996)
More By This Poet
People whose lives have been shaped
by history—and it is always tragic—
do not want to talk about it,
would rather dance, give parties
on thrift-shop china. You feel
wonderful in their homes,
two leaky rooms, nests
they stowed inside their hearts
on the road into exile.
When I Am Asked
When I am asked
how I began writing poems,
I talk about the indifference of nature.
It was soon after my mother died,
a brilliant June day,
I sat on a gray stone bench
in a lovingly planted garden,
but the day lilies were as deaf
More Poems about Arts & Sciences
Sestina in Prose
It was like climbing a mountain to those of us who’d climbed one. To the others, it was like, I suppose, something else. In other words, we let everybody find her own figure of speech.
Not that it—speech—lay thick on the...
The Heart Shows No Signs
The heart, the surgeon says, does not reveal
the small rifts, the hairline cracks which
split the hairline cracks they conceal cops
and robbers in a stretch of skin flaunting
star-scars with show of blood bone
the ledges of what it holds tight in checkmate
More Poems about Mythology & Folklore
We gathered in a field southwest of town,
several hundred hauling coolers
and folding chairs along a gravel road
dry in August, two ruts of soft dust
that soaked into our clothes
and rose in plumes behind us.
By noon we could discern their massive coils
This disease has come back
With frills and furbelows.
You must give your whole life to poetry
Only a few survive if that—
Poems I mean, paper crumpled
Shades of another water—
Far springs are what you long for,
Listening for the slow drip of chemicals
More Poems about Social Commentaries
When I say But mother, Black or not Black,
Of course you are polyethnic, your look does not change
Though it does harden, a drying clay bust
Abandoned or deliberately incomplete,
All the features carved in
Except the eyes. What I’m trying—
I mean—You are an...
How to Triumph Like a Girl
I like the lady horses best,
how they make it all look easy,
like running 40 miles per hour
is as fun as taking a nap, or grass.
I like their lady horse swagger,
after winning. Ears up, girls, ears up!
But mainly, let’s be honest,...