By Joshua Mehigan
Nothing has changed. They have a welcome sign,
a hill with cows and a white house on top,
a mall and grocery store where people shop,
a diner where some people go to dine.
It is the same no matter where you go,
and downtown you will find no big surprises.
Each fall the dew point falls until it rises.
White snow, green buds, green lawn, red leaves, white snow.
This is all right. This is their hope. And yet,
though what you see is never what you get,
it does feel somehow changed from what it was.
Is it the people? Houses? Fields? The weather?
Is it the streets? Is it these things together?
Nothing here ever changes, till it does.
Source: Poetry (February 2010)
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On the crowded hill bordering the mill,
across the shallow stream, nearer than they seem,
they wait and will be waiting.
Rain. The small smilax is the same to the fly
as the big bush of lilacs exploding nearby.
The rain may be abating.
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A spring snow coincides with plum blossoms.
In a month, you will forget, then remember
when nine ravens perched in the elm sway in wind.
I will remember when I brake to a stop,
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The tide ebbs and reveals orange and purple sea stars.
I have no theory of radiance,
but after rain evaporates
off pine needles, the needles glisten.
In the courtyard, we spot the rising shell of a moon,
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i love you to the moon &
not back, let’s not come back, let’s go by the speed of
queer zest & stay up
there & get ourselves a little
moon cottage (so pretty), then start a moon garden
with lots of moon veggies (so healthy), i mean
i was already moonlighting
Self-Portrait with Sylvia Plath’s Braid
Some women make a pilgrimage to visit it
in the Indiana library charged to keep it safe.
I didn’t drive to it; I dreamed it, the thick braid
roped over my hands, heavier than lead.
My own hair was long for years.
Then I became...