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By Lawrence Ferlinghetti

Constantly risking absurdity

                                             and death

            whenever he performs

                                        above the heads

                                                            of his audience

   the poet like an acrobat

                                 climbs on rime

                                          to a high wire of his own making

and balancing on eyebeams

                                     above a sea of faces

             paces his way

                               to the other side of day

    performing entrechats

                               and sleight-of-foot tricks

and other high theatrics

                               and all without mistaking

                     any thing

                               for what it may not be


       For he’s the super realist

                                     who must perforce perceive

                   taut truth

                                 before the taking of each stance or step

in his supposed advance

                                  toward that still higher perch

where Beauty stands and waits

                                     with gravity

                                                to start her death-defying leap


      And he

             a little charleychaplin man

                                           who may or may not catch

               her fair eternal form

                                     spreadeagled in the empty air

                  of existence


Lawrence Ferlinghetti, "Constantly Risking Absurdity (#15)" from A Coney Island of the Mind: Poems. Copyright 1958 by Lawrence Ferlinghetti. Reprinted by permission of New Directions Publishing Corporation.

Source: A Coney Island of the Mind: Poems (New Directions Publishing Corporation, 1958)

  • Arts & Sciences

Poet Bio

Lawrence Ferlinghetti
Lawrence Ferlinghetti is best known for his rejection of traditional artistic and social ideas, a challenge that inspired a generation of writers in the 1950s known as the “Beats.” As a forerunner of the group, he opened the City Lights Bookstore in San Francisco in 1953. It became a major destination for freethinking writers and artists from all over the U.S., and also served as an independent publisher of “Beat” poetry, including his own, A Coney Island of the Mind (1958). Considered a historical benchmark for the time-period, that book maintains its place as one of the best-selling volumes of poetry of all time. The City Lights Bookstore remains a beacon for unorthodox writers and artists to this day.

More By This Poet

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               (laid back like drunken Goudonovs)   
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  • Arts & Sciences

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