By Lawrence Ferlinghetti

Constantly risking absurdity
                                             and death
            whenever he performs
                                        above the heads
                                                            of his audience
   the poet like an acrobat
                                 climbs on rime
                                          to a high wire of his own making
and balancing on eyebeams
                                     above a sea of faces
             paces his way
                               to the other side of day
    performing entrechats
                               and sleight-of-foot tricks
and other high theatrics
                               and all without mistaking
                     any thing
                               for what it may not be

       For he’s the super realist
                                     who must perforce perceive
                   taut truth
                                 before the taking of each stance or step
in his supposed advance
                                  toward that still higher perch
where Beauty stands and waits
                                     with gravity
                                                to start her death-defying leap

      And he
             a little charleychaplin man
                                           who may or may not catch
               her fair eternal form
                                     spreadeagled in the empty air
                  of existence

• Arts & Sciences

Poet Bio

Lawrence Ferlinghetti was best known for his rejection of traditional artistic and social ideas, a challenge that inspired a generation of writers in the 1950s known as the “Beats.” As a forerunner of the group, he opened the City Lights Bookstore in San Francisco in 1953. It became a major destination for freethinking writers and artists from all over the U.S., and also served as an independent publisher of “Beat” poetry, including his own, A Coney Island of the Mind (1958). Considered a historical benchmark for the time-period, that book maintains its place as one of the best-selling volumes of poetry of all time. The City Lights Bookstore remains a beacon for unorthodox writers and artists to this day. See More By This Poet

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