By Garrett Hongo
In Chicago, it is snowing softly
and a man has just done his wash for the week.
He steps into the twilight of early evening,
carrying a wrinkled shopping bag
full of neatly folded clothes,
and, for a moment, enjoys
the feel of warm laundry and crinkled paper,
flannellike against his gloveless hands.
There’s a Rembrandt glow on his face,
a triangle of orange in the hollow of his cheek
as a last flash of sunset
blazes the storefronts and lit windows of the street.
He is Asian, Thai or Vietnamese,
and very skinny, dressed as one of the poor
in rumpled suit pants and a plaid mackinaw,
dingy and too large.
He negotiates the slick of ice
on the sidewalk by his car,
opens the Fairlane’s back door,
leans to place the laundry in,
and turns, for an instant,
toward the flurry of footsteps
and cries of pedestrians
as a boy—that’s all he was—
backs from the corner package store
shooting a pistol, firing it,
once, at the dumbfounded man
who falls forward,
grabbing at his chest.
A few sounds escape from his mouth,
a babbling no one understands
as people surround him
bewildered at his speech.
The noises he makes are nothing to them.
The boy has gone, lost
in the light array of foot traffic
dappling the snow with fresh prints.
Tonight, I read about Descartes’
grand courage to doubt everything
except his own miraculous existence
and I feel so distinct
from the wounded man lying on the concrete
I am ashamed.
Let the night sky cover him as he dies.
Let the weaver girl cross the bridge of heaven
and take up his cold hands.
IN MEMORY OF JAY KASHIWAMURA
Notes:
POL Participants: The reciting of the dedication is optional
Garret Hongo, “The Legend” from The River of Heaven (New York: Alfred A. Knopf, 1987). Copyright © 1988 by Garret Hongo. Used by permission of the Darhansoff Verrill Feldman Literary Agents.
Source: The River of Heaven (Alfred A. Knopf, 1988)
Poet Bio

More Poems about Living
Emily Dickinson at the Poetry Slam
I will tell you why she rarely ventured from her house.
It happened like this:
One day she took the train to Boston,
made her way to the darkened room,
put her name down in cursive script
and waited her turn.
When they read her name...
Altered After Too Many Years Under the Mask
I feel you
...
More Poems about Social Commentaries
Emily Dickinson at the Poetry Slam
I will tell you why she rarely ventured from her house.
It happened like this:
One day she took the train to Boston,
made her way to the darkened room,
put her name down in cursive script
and waited her turn.
When they read her name...
For the Feral Splendor That Remains
sometimes I strain
...