By Robert Browning
At the midnight in the silence of the sleep-time,
When you set your fancies free,
Will they pass to where—by death, fools think, imprisoned—
Low he lies who once so loved you, whom you loved so,
Oh to love so, be so loved, yet so mistaken!
What had I on earth to do
With the slothful, with the mawkish, the unmanly?
Like the aimless, helpless, hopeless, did I drivel
One who never turned his back but marched breast forward,
Never doubted clouds would break,
Never dreamed, though right were worsted, wrong would triumph,
Held we fall to rise, are baffled to fight better,
Sleep to wake.
No, at noonday in the bustle of man’s work-time
Greet the unseen with a cheer!
Bid him forward, breast and back as either should be,
“Strive and thrive!” cry “Speed,—fight on, fare ever
There as here!”
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What is he buzzing in my ears?
"Now that I come to die,
Do I view the world as a vale of tears?"
Ah, reverend sir, not I!
What I viewed there once, what...
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While I am I, and you are you,
So long as the world contains us both,
Me the loving and you the loth,
While the one eludes, must the other...
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We gathered in a field southwest of town,
several hundred hauling coolers
and folding chairs along a gravel road
dry in August, two ruts of soft dust
that soaked into our clothes
and rose in plumes behind us.
By noon we could discern their massive coils
How to Triumph Like a Girl
I like the lady horses best,
how they make it all look easy,
like running 40 miles per hour
is as fun as taking a nap, or grass.
I like their lady horse swagger,
after winning. Ears up, girls, ears up!
But mainly, let’s be honest,...
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I hate how I can’t keep this tremor inside, this mute
matter of being made extant, this shiver in being, in
no not-being, this wild flying up from the inner surge
and this crack in the apparatus espied around
the corner from my particular...
That’s My Heart Right There
We used to say,
That’s my heart right there.
As if to say,
Don’t mess with her right there.
As if, don’t even play,
That’s a part of me right there.
In other words, okay okay,
That’s the start of me right there.
As if, come that day,
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When I say But mother, Black or not Black,
Of course you are polyethnic, your look does not change
Though it does harden, a drying clay bust
Abandoned or deliberately incomplete,
All the features carved in
Except the eyes. What I’m trying—
I mean—You are an...
“Un Tintero,” Inkwell
Anger is the other person inside
mi garganta, my throat.