By Lorna Dee Cervantes
Night Magic (Blue Jester), 1988, by Carlos Almaraz
Blue that I love you
Blue that I hate you
Fat blue in the face
Disgraced blue that I erase
You lone blue
Blue of an alien race
Strong blue eternally graced
Blue that I know you
Blue that I choose you
Crust blue
Chunky blue
Moon blue glows that despise
You — idolize you
Blue and the band disappears
Blue of the single left dog
Blue of the eminent red fog
Blue that I glue you to me
You again and again blue
Blue blue of the helium
Bubble of loveloss
Blue of the whirlwind
The blue being again
Blue of the endless rain
Blue that I paint you
Blue that I knew you
Blue of the blinking lights
Blue of the landing at full tilt
Blue of the wilt
Flower of nightfall
Blue of the shadow
In yellowed windows
Blue of the blown
And broken glass
Blue of the Blue Line
Underlines in blue
Blue of the ascending nude
Blue before the blackness
Of new blue of our winsome
Bedlam Blue of the blue
Bed alone: blue of the one
Who looks on blue of what
Remains of cement fall
Blue of the vague crescent
Ship sailing blue of the rainbow
Of wait blue that I whore
You — blue that I adore you
Blue of the bluest door
Blue my painted city
In blue (it blew.)
You can read the rest of the PINTURA : PALABRA portfolio in the March 2016 issue of Poetry. All images in this portfolio are courtesy of and with permission from the Smithsonian American Art Museum. Night Magic (Blue Jester) by Carlos Almaraz, gift of Gloria Werner © 1988, Carlos Almaraz Estate.
Source: Poetry (February 2016)
Poet Bio
Lorna Dee Cervantes is a critically acclaimed native California (Chumash-Chicana) poet. She is the former Director of Creative Writing and an Associate Professor of English at the University of Colorado in Boulder where she has taught for 18 years. Cervantes’s writing evokes and explores cultural difference—between Mexican, Anglo, Native American, and African American lives—as well as the divides of gender and economics.
More By This Poet
"Love of My Flesh, Living Death"
Once I wasn’t always so plain.
I was strewn feathers on a cross
of dune, an expanse of ocean
at my feet, garlands of gulls.
Sirens and gulls. They couldn’t tame you.
You know as well as they: to be
a dove is to bear the...
Four Portraits of Fire
1
I find a strange knowledge of wind,
an open door in the mountain
pass where everything intersects.
Believe me. This will not pass.
This is a world where flags
contain themselves, and are still,
marked by their unfurled edges.
Lean stuff sways on the boughs
of pitch pine:...
More Poems about Living
What Women Are Made Of
We are all ventricle, spine, lung, larynx, and gut.
Clavicle and nape, what lies forked in an open palm;
we are follicle and temple. We are ankle, arch,
sole. Pore and rib, pelvis and root
and tongue. We are wishbone and gland and molar
and...
Vagrants and Loiterers
You got that clean waistcoat,
the bright white of a well-tailored
shirt, you got those loose-as-sacks
slacks and some spit-polished shoes,
and you know, whether you are looking
like money, or about to take a stroll,
to tilt that hat like you own
the world; yeah, smoke...
More Poems about Love
Blade, Unplugged
It’s true: I almost never
smile, but that doesn’t mean
I’m not in love: my heart
is that black violin
played slowly. You know that
moment late in the solo
when the voice
is so pure you feel
the blood in it: the wound
between rage
and complete surrender. That’s
where...
Sunshower
Some people say the devil is beating
his wife. Some people say the devil
is pawing his wife. Some people say
the devil is doubling down on an overall
attitude of entitlement toward
the body of his wife. Some people
say the devil won’t need to...
More Poems about Nature
What Women Are Made Of
We are all ventricle, spine, lung, larynx, and gut.
Clavicle and nape, what lies forked in an open palm;
we are follicle and temple. We are ankle, arch,
sole. Pore and rib, pelvis and root
and tongue. We are wishbone and gland and molar
and...
White Box
Of Tribulation, these are They,
Denoted by the White.
— Emily Dickinson
Pained, permanent
wakefulness
Exposed
in the split geode
a Santa’s grotto
Jagged milk
quartz crusts
constitute
every surface —
a mouth
all teeth
self-sharpening
like sea urchins’ —
“Uncomfortably beautiful”
toughened glass
spikes
in the doorways
of award-
winning offices
— rough
sleepers from the womb
condemned
to make of anything succulent
rock
of porticoes
iron maidens