By Adrienne Rich
Thinking of Caroline Herschel (1750—1848)
astronomer, sister of William; and others.
A woman in the shape of a monster
a monster in the shape of a woman
the skies are full of them
a woman ‘in the snow
among the Clocks and instruments
or measuring the ground with poles’
in her 98 years to discover
8 comets
she whom the moon ruled
like us
levitating into the night sky
riding the polished lenses
Galaxies of women, there
doing penance for impetuousness
ribs chilled
in those spaces of the mind
An eye,
‘virile, precise and absolutely certain’
from the mad webs of Uranusborg
encountering the NOVA
every impulse of light exploding
from the core
as life flies out of us
Tycho whispering at last
‘Let me not seem to have lived in vain’
What we see, we see
and seeing is changing
the light that shrivels a mountain
and leaves a man alive
Heartbeat of the pulsar
heart sweating through my body
The radio impulse
pouring in from Taurus
I am bombarded yet I stand
I have been standing all my life in the
direct path of a battery of signals
the most accurately transmitted most
untranslatable language in the universe
I am a galactic cloud so deep so invo-
luted that a light wave could take 15
years to travel through me And has
taken I am an instrument in the shape
of a woman trying to translate pulsations
into images for the relief of the body
and the reconstruction of the mind.
Notes:
The epigraph of this poem was originally omitted in the changeover to the new website. Because of this, reciting the epigraph is optional for the 2019-2020 Poetry Out Loud season.
Adrienne Rich, "Planetarium" from Collected Poems: 1950-2012. Copyright © 2016 by The Adrienne Rich Literary Trust. Copyright © 1971 W. W. Norton & Company, Inc. Reprinted by permission of W. W. Norton & Company, Inc..
Source: The Fact of a Doorframe: Selected Poems 1950-2001 (W. W. Norton and Company Inc., 2002)
Poet Bio
More By This Poet
What Kind of Times Are These
There's a place between two stands of trees where the grass grows uphill
and the old revolutionary road breaks off into shadows
near a meeting-house abandoned by the persecuted
who disappeared into those shadows.
I've walked there picking mushrooms at the edge of dread,...
More Poems about Arts & Sciences
Sestina in Prose
It was like climbing a mountain to those of us who’d climbed one. To the others, it was like, I suppose, something else. In other words, we let everybody find her own figure of speech.
Not that it—speech—lay thick on the...
The Heart Shows No Signs
The heart, the surgeon says, does not reveal
the small rifts, the hairline cracks which
split the hairline cracks they conceal cops
and robbers in a stretch of skin flaunting
star-scars with show of blood bone
the ledges of what it holds tight in checkmate
moves:...
More Poems about Nature
How to Triumph Like a Girl
I like the lady horses best,
how they make it all look easy,
like running 40 miles per hour
is as fun as taking a nap, or grass.
I like their lady horse swagger,
after winning. Ears up, girls, ears up!
But mainly, let’s be honest,...
Sestina in Prose
It was like climbing a mountain to those of us who’d climbed one. To the others, it was like, I suppose, something else. In other words, we let everybody find her own figure of speech.
Not that it—speech—lay thick on the...
More Poems about Social Commentaries
Trace Evidence
When I say But mother, Black or not Black,
Of course you are polyethnic, your look does not change
Though it does harden, a drying clay bust
Abandoned or deliberately incomplete,
All the features carved in
Except the eyes. What I’m trying—
I mean—You are an...
How to Triumph Like a Girl
I like the lady horses best,
how they make it all look easy,
like running 40 miles per hour
is as fun as taking a nap, or grass.
I like their lady horse swagger,
after winning. Ears up, girls, ears up!
But mainly, let’s be honest,...