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By Randall Mann

This may sound queer,


but in 1985 I held the delicate hands


of Dan White:


I prepared him for burial; by then, Harvey Milk


was made monument—no, myth—by the years


since he was shot.


 


I remember when Harvey was shot:


twenty, and I knew I was queer.


Those were the years,


Levi’s and leather jackets holding hands


on Castro Street, cheering for Harvey Milk—


elected on the same day as Dan White.


 


I often wonder about Supervisor White,


who fatally shot


Mayor Moscone and Supervisor Milk,


who was one of us, a Castro queer.


May 21, 1979: a jury hands


down the sentence, seven years—


 


in truth, five years—


for ex-cop, ex-fireman Dan White,


for the blood on his hands;


when he confessed that he had shot


the mayor and the queer,


a few men in blue cheered. And Harvey Milk?


 


Why cry over spilled milk,


some wondered, semi-privately, for years—


it meant “one less queer.”


The jurors turned to White.


If just the mayor had been shot,


Dan might have had trouble on his hands—


 


but the twelve who held his life in their hands


maybe didn’t mind the death of Harvey Milk;


maybe, the second murder offered him a shot


at serving only a few years.


In the end, he committed suicide, this Dan White.


And he was made presentable by a queer.


Randall Mann, "The Mortician in San Francisco" from Breakfast with Thom Gunn. Copyright © 2009 by Randall Mann.  Reprinted by permission of The University of Chicago Press.

Source: Breakfast with Thom Gunn (The University of Chicago Press, 2009)

Poet Bio

Randall Mann’s poems are often set within the landscape of Florida or California. Influenced by Philip Larkin, Elizabeth Bishop, and Donald Justice, Mann’s poetry—at once vulnerable, unflinching, and brave in its ambivalence—explores themes of loss, attraction, brutality, and expectation.

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