By Howard Nemerov
The cursive crawl, the squared-off characters
these by themselves delight, even without
a meaning, in a foreign language, in
Chinese, for instance, or when skaters curve
all day across the lake, scoring their white
records in ice. Being intelligible,
these winding ways with their audacities
and delicate hesitations, they become
miraculous, so intimately, out there
at the pen’s point or brush’s tip, do world
and spirit wed. The small bones of the wrist
balance against great skeletons of stars
exactly; the blind bat surveys his way
by echo alone. Still, the point of style
is character. The universe induces
a different tremor in every hand, from the
check-forger’s to that of the Emperor
Hui Tsung, who called his own calligraphy
the ‘Slender Gold.’ A nervous man
writes nervously of a nervous world, and so on.
Miraculous. It is as though the world
were a great writing. Having said so much,
let us allow there is more to the world
than writing: continental faults are not
bare convoluted fissures in the brain.
Not only must the skaters soon go home;
also the hard inscription of their skates
is scored across the open water, which long
remembers nothing, neither wind nor wake.
Howard Nemerov, “Writing” from The Collected Poems of Howard Nemerov. Copyright © 1977 by Howard Nemerov. Reprinted with the permission of Margaret Nemerov.
Source: The Collected Poems of Howard Nemerov (The University of Chicago Press, 1977)
Poet Bio
More By This Poet
The Consent
Late in November, on a single night
Not even near to freezing, the ginkgo trees
That stand along the walk drop all their leaves
In one consent, and neither to rain nor to wind
But as though to time alone: the golden and green
Leaves...
Magnitudes
Earth’s Wrath at our assaults is slow to come
But relentless when it does. It has to do
With catastrophic change, and with the limit
At which one order more of Magnitude
Will bring us to a qualitative change
And disasters drastically different
From those we...
More Poems about Arts & Sciences
The Racist Bone
I know this is a real thing, because
When I was a kid, my big sister took me
To the Capitol Theater, in my hometown
Of Rochester, NY,
And there was a movie that afternoon,
The Tingler, which starred Vincent Price,
And what I remember best...
The Last Word
I am a door of metaphor
waiting to be opened.
You’ll find no lock, no key.
All are free to enter, at will.
Simply step over the threshold.
Remember to dress for travel, though.
Visitors have been known
to get carried away.Illustration by Shadra Strickland