By Hayden Carruth
The northern lights. I wouldn’t have noticed them
if the deer hadn’t told me
a doe her coat of pearls her glowing hoofs
proud and inquisitive
eager for my appraisal
and I went out into the night with electrical steps
but with my head held also proud
to share the animal’s fear
and see what I had seen before
a sky flaring and spectral
greenish waves and ribbons
and the snow under strange light tossing in the pasture
like a storming ocean caught
by a flaring beacon.
The deer stands away from me not far
there among bare black apple trees
a presence I no longer see.
We are proud to be afraid
proud to share
the silent magnetic storm that destroys the stars
and flickers around our heads
like the saints’ cold spiritual agonies
of old.
I remember but without the sense other light-storms
cold memories discursive and philosophical
in my mind’s burden
and the deer remembers nothing.
We move our feet crunching bitter snow while the storm
crashes like god-wars down the east
we shake the sparks from our eyes
we quiver inside our shocked fur
we search for each other
in the apple thicket—
a glimpse, an acknowledgment
it is enough and never enough—
we toss our heads and say good night
moving away on bitter bitter snow.
Hayden Carruth, “I Know, I Remember, But How Can I Help You” from Collected Shorter Poems, 1946-1991. Copyright © 1992 by Hayden Carruth. Reprinted with the permission of Copper Canyon Press, P. O. Box 271, Port Townsend, WA 98368-0271, www.coppercanyonpress.org.
Source: Collected Shorter Poems 1946-1991 (Copper Canyon Press, 1992)
Poet Bio
Hayden Carruth was born in Waterbury, Connecticut, and was educated at the University of North Carolina and the University of Chicago. He taught at Syracuse University for many years and worked for several literary magazines, including as the editor of Poetry magazine. He published over thirty books of poetry and criticism, and was awarded several top prizes. Much of his poetry, including “The Bearer,” is set in Northern Vermont, a setting with which Carruth often mixes his radical political beliefs. He frequently combined rural life with verbal resourcefulness, strongly influenced by jazz and blues music.
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