Below are poems that contain or serve as examples of certain poetic forms and terms. For more detailed information about these and other terms, visit the Poetry Foundation’s Learning Lab.
Alliteration
The repetition of initial stressed, consonant sounds in a series of words within a phrase or verse line. Alliteration need not reuse all initial consonants; “pizza” and “place” alliterate.
Allusion
A brief, intentional reference to a historical, mythic, or literary person, place, event, or movement.
Aphorism
A pithy, instructive statement or truism, like a maxim or adage.
Ars Poetica
A term meaning “the art of poetry,” an ars poetica poem expresses that poet's aims for poetry and/or that poet's theories about poetry.
Assonance
The repetition of vowel sounds without repeating consonants; sometimes called vowel rhyme.
Ballad
A popular narrative song passed down orally. In the English tradition, it usually follows a form of rhymed (ABCB) quatrains alternating four-stress and three-stress lines. Folk (or traditional) ballads are anonymous and recount tragic, comic, or heroic stories.
Blank Verse
Unrhyming iambic pentameter, also called heroic verse.
Common Measure
A quatrain that rhymes ABAB and alternates four-stress and three-stress iambic lines. It is the meter of the hymn and the ballad.
- The Birth of John Henry
- Break, Break, Break
- The Children's Hour
- The Darkling Thrush
- The Donkey
- “Hope” is the thing with feathers - (314)
- I felt a Funeral, in my Brain, (340)
- I heard a Fly buzz - when I died - (591)
- It Couldn’t Be Done
- It sifts from Leaden Sieves - (291)
- It was not Death, for I stood up, (355)
- Light Shining out of Darkness
- The Listeners
- Love Song
- Old Ironsides
- A Red, Red Rose
- So We'll Go No More a Roving
- The Tables Turned
- To Althea, from Prison
- To the Virgins, to Make Much of Time
- You charm'd me not with that fair face
Concrete or Pattern Poetry
Verse that emphasizes nonlinguistic elements in its meaning, such as a typeface that creates a visual image of the topic.
Confessional
Self-revelatory verse associated with a number of American poets writing in the 1950s and 1960s.
Consonance
A resemblance in sound between two words, or an initial rhyme.
Couplet
A pair of successive rhyming lines, usually of the same length.
- “Alone”
- American Solitude
- The Arrow and the Song
- Author’s Prayer
- The Author to Her Book
- Barber
- Before the Birth of One of Her Children
- The Canonization
- Catch a Little Rhyme
- The Chimney Sweeper: A little black thing among the snow
- The Chimney Sweeper: When my mother died I was very young
- Constancy to an Ideal Object
- The Daring One
- Do Not!
- Epitaph
- Experience
- For Allen Ginsberg
- The Golden Shovel
- Introduction to the Songs of Innocence
- January, 1795
- Lazy
- A Locked House
- The Maid’s Lament
- The New Decalogue
- November Cotton Flower
- The Nymph’s Reply to the Shepherd
- On Quitting
- On Shakespeare. 1630
- The Passionate Shepherd to His Love
- Piano
- A Poison Tree
- Queens
- Recuerdo
- Romance
- A Shropshire Lad II: Loveliest of trees, the cherry now
- The Spring
- The Star
- Strange Meeting
- Thoughts in a Zoo
- The Tide Rises, the Tide Falls
- To an Athlete Dying Young
- To the Memory of Mr. Oldham
- To My Dear and Loving Husband
- The Tree
- The Tyger
- The War Horse
Dramatic Monologue
A poem in which an imagined speaker addresses a silent listener, usually not the reader.
Ekphrasis
“Description” in Greek. An ekphrastic poem is a vivid description of a scene or, more commonly, a work of art.
Elegy
In traditional English poetry, it is often a melancholy poem that laments its subject's death but ends in consolation.
- And Death Shall Have No Dominion
- Bells for John Whiteside’s Daughter
- Buried at Springs
- The Charge of the Light Brigade
- The Darkling Thrush
- Do Not Go Gentle into That Good Night
- Elegy on Toy Piano
- Epitaph
- Father Son and Holy Ghost
- For Allen Ginsberg
- The Great Blue Heron
- In Memoriam: Martin Luther King, Jr.
- John Lennon
- The Legend
- Mourning Poem for the Queen of Sunday
- My Sad Captains
- On the Death of Anne Brontë
- On the Death of Richard West
- On Shakespeare. 1630
- To an Athlete Dying Young
- To the Memory of Mr. Oldham
Epic
Epistle
A letter in verse, usually addressed to a person close to the writer.
Free Verse
Nonmetrical, nonrhyming lines that closely follow the natural rhythms of speech. A regular pattern of sound or rhythm may emerge in free-verse lines, but the poet does not adhere to a metrical plan in their composition.
- American Smooth
- And Soul
- Angels
- The animals in that country
- Apollo
- Ars Poetica
- Author’s Prayer
- Backdrop addresses cowboy
- The Bad Old Days
- Banneker
- Barber
- Beginning
- Birthday Poem
- Black Boys Play the Classics
- The Blackstone Rangers
- A Blessing
- A Blind Fisherman
- The Bloody Sire
- The Blues Don’t Change
- Break of Day in the Trenches
- Buried at Springs
- Burning the Old Year
- Camouflaging the Chimera
- The Campus on the Hill
- Carnival
- Childhood’s Retreat
- Constantly Risking Absurdity (#15)
- Conversation
- Courtesy
- Danse Russe
- Deaf-Mute in the Pear Tree
- The Death of Allegory
- The Delight Song of Tsoai-talee
- Dream Song 14
- Dressing My Daughters
- Driving toward the Lac Qui Parle River
- Early Occult Memory Systems of the Lower Midwest
- Eating Together
- Ego
- The Empty Dance Shoes
- The End of Science Fiction
- The Enigma
- every single day
- Evolution of My Block
- Ex Machina
- Fairy-tale Logic
- Falling: The Code
- Famous
- Father Son and Holy Ghost
- The Film
- First Storm and Thereafter
- Fishing on the Susquehanna in July
- Flies Buzzing
- For Love
- Garden
- The Gift
- Gitanjali 35
- Glass
- The Goddess Who Created This Passing World
- The Golden Shovel
- Good People
- Grandfather
- Gravelly Run
- The Greatest Grandeur
- Heaven
- Helen
- Here Is an Ear Hear
- High Noon at Los Alamos
- The Hill
- Himself
- Hush
- I Am the People, the Mob
- [i carry your heart with me(i carry it in]
- I Genitori Perduti
- I Hear America Singing
- I Know, I Remember, But How Can I Help You
- I, Too
- [if mama / could see]
- Ikebana
- Immigrant Picnic
- In
- In the Basement of the Goodwill Store
- In California: Morning, Evening, Late January
- In the Desert
- [in Just-]
- In Love, His Grammar Grew
- In Memoriam: Martin Luther King, Jr.
- Inside Out
- Interlude
- It Isn’t Me
- Kindness
- The Lamb
- Late Echo
- Late Summer
- Layabout
- Lazy
- “oh antic God”
- Le Maudit
- Learning to swim
- Leda
- Like Rousseau
- Lions
- Listening
- Little Father
- The Luggage
- Lunar Baedeker
- Lying in a Hammock at William Duffy’s Farm in Pine Island, Minnesota
- Magnitudes
- Mechanism
- Meditation at Lagunitas
- Medusa
- Memory As a Hearing Aid
- The Minks
- Momma Said
- Movement Song
- mulberry fields
- My Brother, the Artist, at Seven
- The Negro Speaks of Rivers
- The New World
- The Night of the Shirts
- Nocturne
- A Noiseless Patient Spider
- Not Guilty
- Often I Am Permitted to Return to a Meadow
- The Old Liberators
- The Oldest Living Thing in L.A.
- On the Existence of the Soul
- On the Lawn at the Villa
- Onions
- Ovation
- Over and Under
- Passing
- Past-Lives Therapy
- The Peace of Wild Things
- Piute Creek
- Planetarium
- Pleasures
- Poem
- Poem with One Fact
- The Poet
- The Poet at Seventeen
- Possible Answers to Prayer
- Prayer Rug
- Prisoners
- Psalm
- Queen-Anne’s Lace
- Queens Cemetery, Setting Sun
- Reflections on History in Missouri
- Remarks on Poetry and the Physical World
- Retired Ballerinas, Central Park West
- Riprap
- The River-Merchant’s Wife: A Letter
- The River of Bees
- Saguaro
- Saint Francis and the Sow
- Sanctuary
- Seen Through a Window
- Self-Inquiry Before the Job Interview
- Self-Portrait
- Semblance: Screens
- September, 1918
- Sheltered Garden
- Sign for My Father, Who Stressed the Bunt
- Snowy Owl Near Ocean Shores
- So This Is Nebraska
- Somewhere
- Song of Myself: 35
- Stanzas in Meditation: Stanza LXXXIII
- The Strength of Fields
- Surfaces
- Susie Asado
- Testimonial
- That Country
- They are hostile nations
- Thirteen Ways of Looking at a Blackbird
- Through a Glass Eye, Lightly
- (to crave what the light does crave)
- To Elsie
- To Live with a Landscape
- Torque
- The Treasure
- The True-Blue American
- The Truly Great
- Truth Serum
- Two Guitars
- Ultima Thule
- Vigil Strange I Kept on the Field one Night
- Virtuosi
- Waking from Sleep
- The Way It Sometimes Is
- The Well Rising
- The Wheel Revolves
- The Widow’s Lament in Springtime
- Youth
- Zacuanpapalotls
Ghazal
(Pronounciation: “guzzle”) Originally an Arabic verse form dealing with loss and romantic love. Consisting of syntactically and grammatically complete couplets, the form also has an intricate rhyme scheme.
Imagery
These poems are largely concerned with the use of strong and evocative images to create a highly visual, imaginative reading experience.
- The Alphabet
- Anecdote of the Jar
- As Children Know
- The Bearer
- A Birthday
- Bright Star
- The Canonization
- The Chimney Sweeper: A little black thing among the snow
- The Collar
- Confessions
- Constancy to an Ideal Object
- The Death of Allegory
- The Destruction of Sennacherib
- The Enigma
- Four Glimpses of Night
- The Great Blue Heron
- Hymn to God, My God, in My Sickness
- I felt a Funeral, in my Brain, (340)
- It was not Death, for I stood up, (355)
- It would be neat if with the New Year
- Kubla Khan
- Light Shining out of Darkness
- Meeting at Night
- O Carib Isle!
- Ode on a Grecian Urn
- Old Men Playing Basketball
- Onions
- Over and Under
- The Sun Rising
- Ultima Thule
- Valentine
- Work without Hope
Imagist
An early 20th-century poetic movement that relied on the resonance of concrete images drawn in precise, colloquial language rather than traditional poetic diction and meter.
Metaphor
A comparison that is made without pointing out a similarity by using words such as “like,” “as,” or “than.”
- Anecdote of the Jar
- Caged Bird
- The Canonization
- A Certain Kind of Eden
- The City of Sleep
- The Collar
- Dover Beach
- The Enigma
- The Great Blue Heron
- Holy Sonnets: Batter my heart, three-person'd God
- “Hope” is the thing with feathers - (314)
- Hymn to God, My God, in My Sickness
- I felt a Funeral, in my Brain, (340)
- I'm a Fool to Love You
- It would be neat if with the New Year
- Kindness
- The Kiss
- The Larger
- Love (III)
- Meditation at Lagunitas
- The Metal and the Flower
- Not for That City
- O Carib Isle!
- A Poison Tree
- The Pulley
- Reverie in Open Air
- The Rose
- Self-Inquiry Before the Job Interview
- The Snow-Storm
- The Sun Rising
- Two Guitars
- A Valediction: Forbidding Mourning
Mixed
Ode
A formal, often ceremonious lyric poem that addresses and often celebrates a person, place, thing, or idea. Its stanza forms vary.
Pastoral
Poets writing in English drew on the pastoral tradition by retreating from the trappings of modernity to the imagined virtues and romance of rural life. Its themes persist in poems that romanticize rural life or reappraise the natural world.
Persona
A dramatic character, distinguished from the poet, who is the speaker of a poem.
Prose Poem
A prose composition that, while not broken into verse lines, demonstrates other traits such as symbols, metaphors, and other figures of speech common to poetry.
Refrain
A phrase or line repeated at intervals within a poem, especially at the end of a stanza.
Rhymed Stanza
The repetition of syllables, typically at the end of a verse line.
- Abraham Lincoln Walks at Midnight
- Actaeon
- Advice to a Prophet
- The Affliction of Richard
- Ah! Why, Because the Dazzling Sun
- The Alphabet
- The American Soldier
- Amor Mundi
- The Animals
- An Arundel Tomb
- At Cross Purposes
- At Melville’s Tomb
- A Barred Owl
- Barter
- Battle-Hymn of the Republic
- Bells for John Whiteside’s Daughter
- The Birth of John Henry
- A Birthday
- A Black Man Talks of Reaping
- "Blow, Blow, Thou Winter Wind"
- A Boat Beneath a Sunny Sky
- Break, Break, Break
- The Brook
- Buckroe, After the Season, 1942
- The Canonization
- Channel Firing
- The Charge of the Light Brigade
- The Children's Hour
- Chorus Sacerdotum
- The City of Sleep
- Coda
- Cold Blooded Creatures
- The Collar
- Concord Hymn
- Constancy to an Ideal Object
- The Convergence of the Twain
- A Country Boy in Winter
- A Country Incident
- Crossing the Bar
- The Darkling Thrush
- Dawn Chorus
- The Destruction of Sennacherib
- Dirge in Woods
- Disenchantment Bay
- The Doubt of Future Foes
- Early Affection
- End of Summer
- Envy
- Epilogue
- Epitaph on the Lady Mary Villiers
- Eros Turannos
- Fable for Blackboard
- The Fair Singer
- Father
- Fern Hill
- A Fit of Rhyme against Rhyme
- Floating Island
- Follow Thy Fair Sun
- For Allen Ginsberg
- For My Contemporaries
- Fortuna
- The Good-Morrow
- Gulf Memo
- Hap
- Her Kind
- Hymn to God, My God, in My Sickness
- I Knew a Woman
- Immortal Sails
- In a Dark Time
- In the Past
- In School-days
- Insomnia
- Invictus
- Is My Team Ploughing
- Israfel
- It Couldn’t Be Done
- Janet Waking
- January, 1795
- The Kiss
- Kubla Khan
- Larkinesque
- Let It Be Forgotten
- Let the Light Enter
- Life in a Love
- Lift Ev’ry Voice and Sing
- The Listeners
- A Locked House
- London
- Looking into History
- Love Armed
- Love (III)
- Lovers' Infiniteness
- Luke Havergal
- The Maldive Shark
- Medusa
- Meeting at Night
- The Man He Killed
- Miniver Cheevy
- Much Madness is divinest Sense - (620)
- My Papa’s Waltz
- The Natural Child
- News
- No Coward Soul Is Mine
- Not for That City
- Nude Descending a Staircase
- Ode on a Grecian Urn
- On Inhabiting an Orange
- On Monsieur’s Departure
- Over the Roofs
- The Owl
- Piano
- The Pilgrim
- Pity the Beautiful
- The Properly Scholarly Attitude
- The Pulley
- Recuerdo
- Revenge
- Richard Cory
- The Road Not Taken
- Safe in their Alabaster Chambers (124)
- Say not the Struggle nought Availeth
- Shall earth no more inspire thee
- She Walks in Beauty
- Shiloh: A Requiem (April, 1862)
- Sign
- Sir Gawaine and the Green Knight
- Skunk Hour
- Solitude
- Song
- Song After Campion
- Song for the Last Act
- Song: Go and catch a falling star
- Song in a Minor Key
- Song of the Powers
- The Song of the Smoke
- The Speakers
- Spring and Fall
- Stopping by Woods on a Snowy Evening
- The Sun Rising
- The Tables Turned
- They Flee From Me
- Thou Art My Lute
- Thoughtless Cruelty
- The Tide Rises, the Tide Falls
- The Time I’ve Lost in Wooing
- To a Mouse
- To Autumn
- To the Western World
- Translations from the English
- The Tyger
- The Vacuum
- Vain and Careless
- A Valediction: Forbidding Mourning
- Valentine
- War Ballad
- The War in the Air
- The Watchers
- The Watchers
- What It Does
- Winter Remembered
- Women
- You, Andrew Marvell
Series/Sequence
Simile
A comparison (see Metaphor) made with “as,” “like,” or “than.”
Sonnet
A 14-line poem with a variable rhyme scheme. Literally a “little song,” the sonnet traditionally reflects upon a single sentiment, with a clarification or “turn” of thought in its concluding lines.
- All Hallows’ Eve
- America
- Anthem for Doomed Youth
- As Kingfishers Catch Fire
- Bereavement
- Bright Star
- Carmel Highlands
- Childhood
- The Children of the Poor
- The Clouded Morning
- The Consent
- The Craftsman
- The Cross of Snow
- Domestic Situation
- Dreamers
- England in 1819
- Epitaph on the Tombstone of a Child, the Last of Seven that Died Before
- Fairy-tale Logic
- “Find Work”
- A Fixed Idea
- Flaxman
- For My Daughter
- Golden Retrievals
- Grief
- Here
- Holy Sonnets: Batter my heart, three-person'd God
- Holy Sonnets: Death, be not proud
- I Find no Peace
- I think I should have loved you presently
- Idea LXI
- The Illiterate
- Immortal Sails
- ['Joy of my life, full oft for loving you']
- kitchenette building
- Leda and the Swan
- Life
- "Love of My Flesh, Living Death"
- The New Colossus
- Nineteen-Fourteen: The Soldier
- November Cotton Flower
- Nuns Fret Not at Their Convent’s Narrow Room
- On Education
- On An Unsociable Family
- Ozymandias
- The Princess: Now Sleeps the Crimson Petal
- Silence
- Since There Is No Escape
- Snowflake
- Sonnet 1
- Sonnet LV: Not marble, nor the gilded monuments
- Sonnet LXXXIV
- Sonnet XCI
- Sonnet XV: When I Consider everything that Grows
- Sonnet XVIII: Shall I Compare Thee to a Summer’s Day?
- Sonnet XXIII: Methought I Saw my Late Espoused Saint
- Sonnet XXIX: When, in disgrace with fortune and men’s eyes
- Sonnets from the Portuguese 43: How do I love thee? Let me count the ways
- Spring
- Time Does Not Bring Relief: You All Have Lied
- To -
- To the Desert
- To Her Father with Some Verses
- Unholy Sonnet 1
- A Virginal
- What lips my lips have kissed, and where, and why
- What to Say Upon Being Asked to Be Friends
- When All My Five and Country Senses See
- When I Consider How My Light Is Spent
- When I have Fears That I May Cease to Be
- The White City
- Work without Hope
- The World Is Too Much With Us
- Yet Do I Marvel
Syllabic
Poetry whose meter is determined by the total number of syllables per line, rather than the number of stresses.
Tercet
Villanelle
A French verse form consisting of five three-line stanzas and a final quatrain, with the first and third lines of the first stanza repeating alternately in the following stanzas.
